George enescu best works
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IULIA BUCESCU – BASES OF MUSICAL TEACHING: NOVELTY - ORIGINALITY – CREATIVITY
IULIA BUCESCU – BASES OF MUSICAL TEACHING: NOVELTY - ORIGINALITY – CREATIVITY
Subject(s): Music
Published by: Editura ARTES
Keywords: Iulia Bucescu; didactic methods; theory of music; solfeggio; dictation
Summary/Abstract: Iulia Bucescu, professor at the University of Arts „George Enescu” Iaşi, was one of the greatest educators of the Romanian musical education field. A remarkable personality of the academic musical life, Iulia Bucescu was renowned especially for her ars docendi, as she served the musical didactic skillfully, with a lot of passion, tenacity and knowledge. She was also a master of musical experiments, thus obtaining exceptional results with her disciples. Her methods, her own system of tools for the formation and improvement of musical skills, her mastership and educational experience find their relevance in the volumes of Music Theory, Solfeggio and Musical Dictation which are to
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George Enescu as Conductor - V. Văidean (2024)
Conceived as a complementary celebration of conducting mastery -an art that in the last five days of the current edition of the George
Pre-war beginnings
George Enescu was seldom considered, and modesty prevented him from claiming to be, a practitioner of the art of conducting in its professional sense, a job undertaken with meticulous perseverance. In other words, as for any composer with a strong personality, conducting was also for him, at least in the first phase (the pre-war years), an activity that might have seemed more or less improvised, for he began, and for a long time continued to practice it, in an "honorary" fashion; other conductors invited him to present his own orchestral compositions, entrusting him with the baton only as a passenger during a concert, to which he would usually also contribute as violinist.
George Enescu dirijor
George Enescu as Conductor (on April 16, 1916).
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The composer-conductor's reputation would be consolidated, to a large extent, on the basis of the fairly insistent circu
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Pascal Bentoiu
Romanian composer (1927–2016)
Pascal Bentoiu (22 April 1927 – 21 February 2016) was a Romanianmodernistcomposer.
Life and career
Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism.
He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance.[1] (There is a recording of both realizations from a 1998 festival.)
In 1949, he married Annie Deculescu.
Bentoiu died in Bucharest on 21 February 2016 at the age of 88.[2]
Compositions
Orchestral
- Symphony
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